Chronology
A powerful CEO puts her career and family on the line by embarking on a whirlwind romance with her much younger intern.
TORRENT
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Armand, a 6-year-old boy, is accused of trespassing against his best friend in elementary school. Norway’s official bid for Best International Feature Film at the 97th Academy Awards in 2025. I understand why the film won the Camera d’Or at Cannes 2024, but for the love of my life, I couldn’t watch the film after the middle. A single celebrity mother is summoned to her son’s school by an incompetent teacher and administrator to discuss an incident involving her son and his friend. It’s a great premise, and Armand has caught my eye, thanks in part to the gorgeous opening shot and overall camera work up to this point. But then the film goes into self-indulgent territory, and I still don’t understand what the director had in mind, with a mix of sharp dance scenes and an actor laughing for 3 minutes straight. That’s where it all started, and since then it’s been so depressing that it will never get better. (Screened at the MAMI Film Festival in Mumbai in 2024.)
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Inspired by the daring exploits of a legendary outlaw in France in the late 1970s and early 1980s, Freedom follows the electrifying story of Bruno Sulak (Lukas Bravo), a kind and daring criminal who stole hearts as well as riches. Known for his charm and sophistication, Sulak pulled off daring heists without firing a shot. But as his notoriety grew, so did the relentless pursuit of Georges Moreas (Yvan Attal), a tough police commissioner with a knack for outsmarting criminals. With Moreas gone, Sulak’s escape from prison becomes legendary, fueled by a desire for freedom and a burning desire for his beloved Annie (Léa Luce Busato). In the chaos of their criminal fun, Sulak and Annie become symbols of defiance in the most exhilarating game of cat and mouse that has swept the nation.